Fleurs bleues, 2019-2022
Drawing comparisons between cuisine and photography is often a bit of a cliché. Except in the case of Cyril Vandenbeusch, who practices both and sees them as complementary in their relationship to time. Cooking requires rather long prep and is followed by rapid consumption: a repeated need that sets the tempo for everyday life. Conversely, a snapshot immediately captures an instant, freezes it, and allows for multiple prints that can be preserved for a long time.
(Extract from the text written by Claude-Hubert Tatot)
© Isabelle Meister (portrait)
© Cyril Vandenbeusch
With a degree from the Ecole des Beaux-arts de Genève, this Genevan artist has long worked with food – and the act of eating as a medium, in particular. From his troubling feasts to his stagings of food, he has continually linked visual arts and cuisine. In his recent work, he has explored the photographic image, experimenting with different processes in his customary artisanal and sensorial approach. Like with a recipe, he creates his own photosensitive materials from scratch, allowing him to access a wide range of media and results. In addition to conducting experiments in a lab like a chemist, he has also converted a truck into a camera obscura for more “mobile” projects, and showcases old printing processes, like cyanotype, which uses light-sensitive iron salts to produce images in its characteristic Prussian blue colour. In our digital age, these techniques allow him to generate an image from beginning to end.
Website: Cyril Vandenbeusch
Window display: courtesy of L'iceBergues
Cyril Vandenbeusch
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